Two Bass Hit

Actually, it's two clips of one bass; Guillame Viltard, filmed by Helen Petts at Mopomoso, London, 06/20/10...





Play them simultaneously for optimal confusion.

I'm searching for the now. I'm looking for the real thing, yeah. Head through a blue haze. Waiting for the musical craze...

Pat Thomas shown here...



han bennink-drums
pat thomas-piano and electronics
john coxon electric guitar

surreal gig @ pizza express dean street, london, 05/26/10

And a rare chance to just experience Han at the kit, without him getting up to play chairs or kick cymbals around (even though he is good at it...).

Nave, not naive nor Nivea...

The Vultures* and Steve Beresford join in with Sandeep Mishra at the Nave, Islington/Dalston, 07/14/09

*Dan Beattie (guitar/electronics/keys); Matt Chilton (laptop/electronics/bass); Will Connor (percussion/objects/winds); Anthony Donovan (basses/autoharp/electronics/objects/laptop)

Commercial Break

Weasel Walter/Mary Halvorson/Peter Evans

available right now from http://www.ugEXPLODE.com

Not particularly American at all...

加藤啓／浦邊雅祥パフォーマンス

Kei Kato performance an accordion of monster featuring Masayoshi Urabe
March 2009

Very American

Rahsaan Roland Kirk Quartet - "Echoes Of Primitive Ohio And Chili Dogs"

Music With Brrrzap

Arto Lindsay´s band for multinatural blackout parade. Rehearsing in a studio in Venice. Days prior to the parade. Kassin, Guitar. Marivaldo Paim, Drums. Melvin Gibbs, bass.

"Don't forget we're nothing yet but water..."

Not "Tall Paul"

Japanese performer/composer, ADACHI Tomomi's composition "Namahage-Mint"(1999) performed by students of Department of Moving Images and Performing Arts, Tama Art University in Jan. 2009.

Not "Lady Marmalade"

Japanese performer/composer, ADACHI Tomomi's composition "Yumiko"(1997) performed by students of Department of Moving Images and Performing Arts, Tama Art University in Jan. 2008.

More Pre-Summer Fun

DJ/Rupture and Andy Moor, Geneva, 2007

You may want to take Dramamine before viewing.

Up In There Now

Roger McGuinn of the Byrds once tried to explain his music this way: ''The sound of the airplane in the 40's was a rrroooaaahhh sound, and Sinatra and other people sang like that, with those sort of overtones. Now we've got the krrriiiissshhhh jet sound and the kids are singing up in there now. It's the mechanical sounds of the era.''




Ken Vandermark, Barry Guy,Mark Sanders, Vortex, London, 11/14/08